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Articles from the Peace News log: events

Articles from the Peace News log.
For articles in this category from the whole site, look here

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In some ways it is hard to believe it has now been over a century since the guns of the First World War fell silent. The 'war to end all wars' is so deeply engraved on our national consciousness that even now, when there is no living memory of the conflict, people gather to speak, remember and reflect on that awful, bloody war.

I observed the two minute silence at 11am in front of my television at home, unable to face the militarism (not to mention the crowds) taking place down the river at the Whitehall Cenotaph. The service in Tavistock Square, politely timed at 1pm for those who wished to attend both services in person, is far more my speed. Here there is no marching, no saluting, no talk of the glorious dead. Instead there is quiet reflection, poetry, and a deep sadness that far from ending all wars, 'The Great War' sowed the seeds for the next major conflict, and the Cold and proxy wars that followed. There was a theme this year at Tavistock Square, and a pledge – 'No More War – Let's Make Peace Happen'.

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The case of Henry Rivett Albrow, a conscientious objector.

Devils on HorsebackIt is the case of Henry Rivett Albrow that forms much of the plot of Devils on Horseback. When he is called before the tribunal he is erudite and eloquent in his impassioned defence of his conscience, calling himself a ‘dissident Christian’ – mainly because he cannot reconcile ‘love thy neighbour’ and ‘thou shalt not kill’ with the church’s acceptance of warfare. He is berated mercilessly by the members of the tribunal, with the usual nonsensical questions that are asked of pacifists; ‘what if a German raped your mother?’ Calmly and clearly Albrow states that he would not take a life to save one, but he would gladly give his own to save another – rendering moot the argument that pacifism is based in cowardice.

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The Inaugural Alternative Claudia Jones Memorial Lecture 2018

Kerry-Anne MendozaIn a tucked away corner of Rotherhithe, down a little cobbled street oozing with history, stands Sands Film Studios. Well-known amongst lefties and radicals, this unique corner of London was the perfect place to hear from a unique, leftie and often radical character, Kerry-Anne Mendoza.

Mendoza began by talking about the namesake of the lecture, Claudia Jones. Like Mendoza, Jones was a radical leftie – both women do not sit back and wait for change, they get on and make change happen. Born in Trinidad in 1915, at the height of Empire, Jones didn't keep her birth name but changed it in what she called an act of 'self-protective disinformation' - to avoid receiving judgement based purely on her race. Despite a deeply disadvantaged background, including the loss of her mother at a young age, Claudia was very able academically, and won the Theodore Roosevelt Award for Good Citizenship in high school. However, being a working-class woman of colour, she was prevented from pursuing higher education in an act of triple oppression. While she worked in a laundry, Jones wrote a column in the Harlem Journal. When the case of the Scottsboro Boys hit the news, Claudia became politically active, and joined the Young Communist League.

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A film that uses humour to convey the absurdity of armed conflict.

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Sands Films is a unique gem; snuggled up against the south bank of the Thames, it is one of those little secrets that Londoners cherish. Not usually known for their events – it’s normally a fully functional film studio – they felt they couldn’t let the centenary of the First World War Armistice pass unmarked. I’m very glad they didn’t, and judging by the packed house, I’m not alone.

Schwejk (pronounced Sh-wei-ck) is Sands’ own project, shot with the WW1 Centenary in mind. They screen it in the same room in which it was filmed, adding an interesting, atmospheric twist. Based on the famous series of stories by the Czech writer Jaroslav Hašek, Schwejk is a satire on the absurdity of war. Many people have identified with the character of Schwejk since his first appearance in cabaret in 1912; he is just an ordinary young man, sold lies and sent to fight someone else’s war. As a play it has been performed all over the world, from Germany in the inter-war period, to Manchester and beyond, often being brought up to date to reflect contemporary events. Sands’ version is no different, containing references to Iraq, Afghanistan and the so-called ‘War on Terror’.

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Afghanistan Behind the Headlines, Rebel Clowning Workshop, The Life and Times of I F Stone, Making Nonviolent RevolutionPeace News Summer Camp 2012

Thursday 9 February 2012, London: Afghanistan Behind the Headlines. With photojournalist Guy Smallman and ex-soldier Ben Griffin

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